Here is a pattern that I like so much I made several of them in succession! I like the simple look and feel of the pattern. It is something that I have had traced for almost 2 years but never got round to making it. It seems I have made up for that.
Sleeveless Peplum Blouse 07/2015 #114
I have the tops in this Youtube video here
So I made it in the John Kaldor Lizzano sateen fabric first. The John Kaldor was something I fell for when my friend Ali (akathimberlina) showed hers on IG and I quickly bought from an online shop. Unfortunately, I can’t remember the name of the shop. Its beautiful vibrant fabric that I used to make a shirtdress the M6696 shirtdress and used leftovers to make some this top.
I managed to sew this out of just under a meter of fabric. The rest was used to make a sash.
The instructions tell you to insert an elastic on the waist but opted not to do that as I found (much to my surprise) that I like the free boxy look.
Instead of sewing the armhole bias binding in the round, here is what I did:
After finishing the neckline I sewed up the shoulder seams. Then sewed the armhole binding in the flat. Next, I sewed the side seams. I fell like this was far easier and neater than sewing in the round.
So when it came time to think about my #makenine2018 I knew that the barkcloth would look amazing in this pattern and I did not hesitate to cut into it. I love it!
I also had some linen left over from the Hollyburn skirt I made a couple of years ago and it was just enough to make this top too. Unfortunately, I forgot to take pictures but you can see it on my Youtube channel at the link above.
And then I tried the longer non-peplum version of the top but with a few twists, i.e. adding a knit cuff neckline on a woven like I learnt when I made the Merchant and Mills Tee for my husband. It did quite work out though because I forgot to not stretch out the knit cuffing. I am so used to stretching it slightly when sewing but I needn’t have done it with this one so. It does do a bit of a puddle but never mind. The John Kaldor fabric is so comfy against the skin. I barely had 3/4m left from when I made the Sheath Dress.
The line drawing shows that the back has a CB seam which means cutting 2 back pieces. I only did that with the first one. Subsequent ones were cut on the fold. It makes no difference at all because the CB is straight.
Size traced: 38.
Verdict – Definitely, a great top that I have no doubt I will come back to again and again. I had a think about which one is my favourite and………..its…………
This was another unplanned make for my #burdachallenge2018. The idea for this developed after meeting the fabric. SO I will start with the fabric. This is a beautiful shiny viscose jersey with the most beautiful drape – it is like a liquid gemstone. I picked it up from Fletchers Fabrics in Leeds while shopping with my friend Eleanor. I bought 1.5m without any idea of what to make with it. It was only when I was shooting my Youtube fabric haul video that I realised what this fabric could become.
The pattern is from the Jan 2017 issue of BurdaStyle. Here is the line drawing:
And here is the style picture
The recommended fabric is silk jersey in order to achieve the exaggerated cowl neck. The instructions were easy to follow. The neck is finished in an ingenious way IMO. I handstitched the shoulder yoke facing as I didn’t want to topstitch. The sleeves are set in which is a little tedious to do on jersey fabrics but worth it in the end.
It came together quickly. The little bralet is a gem of a pattern as well. I used rainbow foldover elastic because I like it. The pattern calls for cutting out strips of fashion fabric otherwise. Technically this is the first bra I have sewn :-). I am looking forward to whipping up more of the bralets using scrap fabrics.
I cut my usual Burda 38 but I felt like I could have gone down a size on this which is unusual.
Verdict – a great stylish pattern with the deep cowl. I think I could have done a better job with styling it though. I feel this was designed to be tucked in but in my pictures, I didn’t do that. It does make a difference to how the top looks. Its a lovely top though I doubt I shall be making another one any time soon – I might try it again in size 36.
Ever since I sewed up the turtleneck top from Burdastyle 09/2010 in 2016, I have been planning more variations in my head. You see, this top pattern is so easy to sew up and comfy to wear as it doesnt have a neck seam. Here is the line drawing:
To be honest with you I could waffle on but there really isn’t much more to add about this pattern that I haven’t already said here. So here are pictures of the three latest ones which also fulfilled my March #burdachallenge2018 goals.
So these have been in heavy rotation especially for layering in the colder months. Its been getting a bit warmer so for now they have been put aside until September. Isn’t it lovely to find a TNT pattern? I now have 5 of these 🙂
This is another dress I made specially for a holiday to the seaside. Its from the May 2016 issue of BurdaStyle Magazine. The style is called a bat sleeve dress. It may not be everyone’s cup of tea but I was intrigued by this pattern enough to make it.The pictures didn’t really do anything for me but it was the line drawing that grabbed me:
I have made it in ponte before here.The instructions were quite good – though this is very simply constructed dress made up of 2 pieces (front and back) and a neckband. You just have to finish the arm flaps before draping them over each other and securing with the neck-band.
I used a viscose jersey – very drapey and perfect for my purposes. I wanted something akin to a beach cover-up. Easy to to pop on and off. It did the job admirably! Here it is in action.
Today’s post is a super quick one to share a very simple top. I made this from an old Burda magazine that I bought on Ebay last year. Here is a picture of it
It so happened that I was looking for a simple roll neck pattern and before I went buying or drafting a new one – I decided to browse my growing Burda Magazine collection. So glad I did that because I had never registered this pattern before. I quite like that it doesnt have a neck seam – makes for faster sewing.
I had 1m of John Kaldor Isabelle wool jersey that I bought in June. I just managed to fit this pattern and I was left with very satisfying slivers of fabric that indicate a most efficient use of the yardage!
I love this fabric and I have bought 2 more meters of this colour to make a dress.
Construction wise it comes together very quickly. I did not make any alterations to the pattern. I didn’t finish the roll neck edge as my fabric doesn’t unravel. I set in the sleeves and though it wasn’t the best job – it doesn’t look too bad. I finished the hems with a narrow zigzag. The sleeves are meant to be longer so that they have a ruched effect – love that.
I want to make another in black and gunmetal grey. Its a great foundation piece for my wardrobe.
So this makes my 12th Burda make this year and my goal has been reached. Here’s to more Burda makes from me in 2017!
Here is another Burda make as I race towards the end of the year in which I must make at least 12 Burda garments. I do really like BurdaStyle Magazine and I am keen to get a 12 month subscription.
This is from the 12/2014 issue and it was the featured sewing course pattern which is great because its the only one that Burda will hold your hand and walk you through the entire process (very nice of them). Here is the line drawing.
I cut my usual size 38 and it fits perfectly (a good reason why I am keen of getting my subscription on for 2017). I made 3 changes:
The sleeve head. It was HUGE – I mean incredibly poofy and combined with my broad shoulder I looked somewhat ….odd. I reduced it by a good 2″ to get to this ‘poof’ which IMO is a good balance. The rest of the sleeve did not disappoint – am quite enamoured with the bishop style sleeve and exaggerated cuff.
I cut the back on a fold instead of having a centre back seam.
I omitted the zip – my ponte has enough stretch to go over my head without a zip plus I wasn’t keen on the idea of a zip against the back of my neck – its a very sensitive area for me and one of the reasons why my hair is almost always tied.
Fabric wise I used a ponte knit that was left over from a Marfy dress I made (post coming soon). I am glad I had enough of this left over as I love this colour! Its a medium weight ponte. The instructions call for stabilising the princess seams but I didn’t do that since my fabric was sturdy enough. I have worn this at least 3 times already and its holding up just fine. I did stabilise the shoulder seams though ( a standard procedure for me with all my knit projects).
Overall its a good pattern and I like that its easily adaptable into a sheath dress or add a peplum and it becomes a cute flirty dress. Go sleeveless, remove the polo neck and it will work in summer. Yes – there will definitely be more of this pattern in the future.
Despite the cold weather in October I made a dress from the May edition of BurdaStyle Magazine. The style is called a bat sleeve dress. It may not be everyone’s cup of tea but I was intrigued by this pattern enough to make it top of my trace and make list. The pictures didn’t really do anything for me but it was the line drawing that grabbed me:
It almost looks like a cape doesn’t it? Anyway I had bought this winter storms ponte from B&M Fabrics which I thought could work well as a autumnal dress that could be layered. It’s that time of the year where I start to think a lot about layering things so this seemed like a good candidate. I pictured it with different colour roll neck jumpers underneath.
The instructions were quite good – though this is very simply constructed dress made up of 2 pieces (front and back) and a neckband. You just have to finish the arm flaps before draping them over each other and securing with the neck-band.
Which leads to the only fly in the ointment with the otherwise easy & quick dress to make – the neckband is too big. I used the Burda dimensions and it sort of stands away from the body. I tried hand sewing it down but I needed a do over which I wasnt willing to spend time on.
This tiny issue aside – it’s a good neutral addition to my wardrobe. I wasnt too sure about the fabric when I bought it – but I got it because of my tendency to get bright and bold colours – its confusing but I am trying to diversify IYSWIM. Anyhow I digress…pictures…..
Will I make it again? – Undecided. Its warm when I layer it and its very comfortable – a good candidate for a Christmas day dress perhaps? I cant help but feel that maybe with a lighter weight jersey this could be truly lovely….. We will have to see.
So this is number 9 of my Burda Challenge. I have to make 12 Burda things by the end of the year to justify a subscription in 2017. So here’s hoping I can get 3 more done by then :-).
This top is the very last of my summer sewing. I had forgotten about it because I finished it some time in September when it was getting cool such that I didn’t even think to wear it. Its from the May 2016 issue – an excellent issue that has a lot of styles I am smitten with.
I sewed it using a lightweight cotton from B and M fabrics in Leeds market. I really liked the circular tile effect plus the blue overtones. For the contrasting placket and sleeve bands I used some leftover fabric from the most recent McCalls M6044. I thought the colours worked well together.
I cut a size 38 which is my Burda size and is always quite spot on. It sewed up very quickly – though I used french seams for a neat inside. The cotton has a slightly stiff handle to it which I hope will soften over time.
This took me longer to finish because after I put the bodice together I wasn’t sure whether the style would be something I’d like. But now that I finished it and tried it on I was quite pleasantly surprised that I like it, especially the sleeves. Perhaps it is the colour that blinds me but I am looking forward to spring 2017 when I can start wearing it in earnest. In future I will make it using something like a Tana lawn and make it tunic length.
I have styled it with my Birkins – they seem to go with everything! Pictures….
Now, I will stride forward towards autumn.
Thanks for stopping by and have a great weekend. I’ll be back on Sunday 🙂
I am super excited to share this wrap dress made from Burda 07 2016 edition. I really like this dress and it came together easily. Here is the line drawing.
The instructions were actually quite okay on this (shock horror! Burda instructions actually making sense :-).
The straps are interesting because they are twisted together. I do like Burda for their approach to design. They always try to do unique design features.
Unfortunately I did not have enough fabric to pattern match properly. The lower flounce had to be cut on a different grain. I picked this jersey up from Fabworks Mill Shop. You know I love the blues and purples with the Mediterranean tile effect. But mostly it had me at blue 🙂
I didn’t make a muslin but it came out alright. I do need to lengthen the bodice by about 1cm though to get the belt to sit spot on my waist.
All the edges and hems were finished with twin needle. I used bias tape for first time with this make. I needed to avert gaping and stretching out of armhole and neckline. I was mildly successful. I need to see how it behaves after a wash.
The style of this dress is very flattering and I will be making it again. I love the swishyness and the fit over the bust. The overlap of the wrap dress is such that I dont have to worry about wardrobe malfunctions in high wind. Thats always been my fear with wrap dresses
Unfortunately the pictures are a overexposed due to the intense bright sunshine when we did the shoot but the colour on the Youtube clip is the most accurate. Here you can see it in motion on my Youtube Channel (mis labelled as 06/2016 but it is from the 07/2016 issue :-).
Thanks for stopping by this little place on the interwebs.
I made a dress from the Burdastyle June 2016 issue. The simple lines of the dress drew me plus I quite like how the neckline is structured. Here is the picture from the magazine:
For fabric I went with olive green linen fabric. The linen has just the right body to hold the bias cut pieces. Its a fabric hog because all the pattern pieces are cut on the bias. including the long neck ties.
A note on the cutting out instructions in the magazine….I was very annoyed because the instructions have you cut 2 of the back pieces. Turns out you only need the 1. I am certain that’s a typo. So if you are planing on making this please please remember you only need 1 back piece.
The instructions were unfathomable beyond the first 2 steps. At least Burda is consistent in that regards. However I do not mind – I rather found myself relishing the challenge – it took me back to my A Levels years when I would spend hours working on a complex calculus problem :-). I fared better in my A level days. Burda instructions are a whole other level. In the end I did what any self respecting seamster would do : I just pinned it all out first then I winged it.
As you can see that back is mighty low and without the right support, things could slip but somewhere in the instructions it mentions elastic on the back. There are specific measurements for the elastic but I found it too slack and I had to shorten in by 2″for a snugger fit. I also took in the side seams by 3/4″ each side. Again this is because its all cut on the bias. The fit was fine by the time I finished.
I finished all the seams on the overlocker because I was fitting as I went. With the next one I’d like to use french seams. Once I discarded the Burda instructions – its actually a really quick make since there are no closures.
Quite like it and wore it to London where I got heaps of compliments. I was worried that the tie neck might be uncomfortable but it wasnt at all even after wearing it all day like I did. Because its all cut on the bias , the weave loosened out as the day went by it does drag lower in the back as the day goes on. It could do with taking it in another 1/2″ pinched on each side.
I’d like at least one more, possibly in a dark navy linen…..
Here is a little video I made for my OOTD on Instagram. Just click play – I only just realised you can hear my kids yelling in the background 🙂
Super quick post because I made another one of the high low top from the February issue of Burda. First one I made here with a yellow spot back.
I made in the same beige/ivory T-shirt weight jersey that was left over from last time. The back is a satin synthetic that I picked up from Fabworks Mill Shop, Dewsbury during the Spoolettes meet up in Feb. It has a beautiful shine to it and feels very soft on the skin. I only made one change this time: I sewed the pleat down about 2 inches below the neckline. I like it.