SWAP2017 Pt 6: By Hand London Anna Dress in Frida Kahlo

Last year I was working full steam on a SWAP2017 wardrobe. You can read some of the previous SWAP2017 posts here <link here>.

This is the fifth garment that I made for the SWAP2017 capsule – an endeavour which started in 2016! I did finish this in time for the April 2017 deadline but for some reason its taken its time to get to the blog.

The capsule plan was to have one statement-y dress.

My SWAP2017 “Vision Board”

There was a limit on how many patterns you could use – the max was 8 patterns for 11 garments. I used the Anna dress because it could be easily modified.

The trick was to find a fabric that I loved but that could go with all the other pieces. After much searching, I eventually landed on the Frida y Catarina fabric in a blue background on EBay. To say I fell for this fabric is an understatement. I freaking love this fabric and consequently the dress.

I have made the Anna dress three times before. I have not made it using a medium weight quilting cotton like this Alexander Henry fabric. Ruth’s Core Couture tutorial was a godsend. She shows with well-detailed instruction and rationale how to prevent neckline gaping that can be an issue with wide V necklines. You can check out the tutorial here – a must-read for anyone who has ever been exasperated with a neckline that won’t lay flat.

Stay tape in the neckline of the BHL Anna Dress

The results more than speak for themselves. I have since used that same approach on many more projects with great results.

 

When we went to the US last year for my FIL’s 70th birthday celebrations I took it along. Its one of what I like to call “The Magnificent 3” dresses. Whenever I wear any of those 3, I get a lot of compliments. I will probably write up a post about them and why I think they get so many compliments – advance spoiler – it is not about the dress per se. Anyway, I digress pictures.

BHL Anna Dress on location in Central Park, New York – hence the walking sandals ūüôā
BHL Anna Dress

The fabric is a border print and I was not keen to cut into the print. I cut the bodice on the cross grain so that the Frida print was only at the hem. The skirt pieces are rectangles with darts added. The darts matched up with the bodice darts. That created the A line shape of the skirt. I contemplated adding pockets but decided that the design lines were more important. My problem is that I do actually use my pockets heavily and there are some styles that look and feel odd to me when the pocket is in use.

The hem is exactly at the selvedge edge. I wanted the maximum length I could get. It used 3 meters of fabric with very little scraps. The benefit of quilting cottons like the Alexander Henry ones is that they do wash and keep the colours well. I imagine that in time, with more washes, the fabric will get softer. The thought brings a smile to my face as I hope to be wearing this dress for decades.

Picture was taken in May this year – with my frohawk and post SticthRoom Sewcial so my eyebrows were neat ūüôā
I love the vibrant orange flowers on the fabric.  BHL Anna Dress
Power pose….LIKE A BOSS!!! BHL Anna Dress
BHL Anna Dress

Last week on Saturday I went to see the Frida Kahlo exhibit in London – I believe that’s what prompted me to finally write about this dress on the blog. I am still processing my thoughts on the experience and will be writing a post about it soon.

Back to the SWAP2017 – I still have more of the garments to write about and those posts should be ready…..soonish :-).

In the meantime, I do have a video on my YouTube channel if you’d like to see this dress in motion.

Thanks for stopping by this corner of the interwebs.

Peace and love,

Hila

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Day & Night Dress Challenge 2018 : Simplicity S8045 & Burdastyle 02/2018 #101 Dress

I neglected to mention that I made 2 dresses for the Day and Night Dress challenge hosted by ElizabethMadeThis.com.

 

 

BurdaStyle 02/2018 #101 Dress

For my day dress, I decided to multi task by also making a dress for my #burdachallenge2018 plan for the month. The dress I chose was style number 101 from the February issue of BurdaStyle magazine.

The style was a bit outside my comfort zone given its vintage vibes. Normally the vintage I like tends to be the maxi variety. Here is the line drawing :

BurdaStyle 02/2018 #101

It was actually the line drawing that drew me to this pattern. The details were quite unique to me especially the lower skirt godet.

I used a fabric that I bought a while back on holiday abroad. It’s a peach skin that has the most glorious drape. My husband actually chose this for me – though I was sceptical of the Pollock-like abstract print – it worked really well for me. The only downside is that with the print it hard to see the design lines clearly.

With my usual Burda size 38, this fit right off the pattern sheet. The only alterations I made were to omit the cute but labourious self-faced buttons and loops on the sleeves and the lower skirt.

Sewing with peach skin was not as challenging as I thought it would be, which is a relief as I have a few other lovely peachskins that have been sitting in my fabric collection.

Its a very pretty dress and something that makes me feel quite charming :-). By the way, the instructions on this pattern were actually quite good.

BurdaStyle 02/2018 #101
BurdaStyle 02/2018 #101 Dress

 

Simplicity S8045

For the night dress, I had in mind to make something for a date night we had planned to eat out at a Cuban Tapas restaurant. So when I saw the red viscose jersey with a lovely surface sheen my idea of a little red dress was cemented.

I have sewn with this Mimi G pattern before here and had plans to make it again because I wasn’t happy with my fabric selection especially after a few washes. The sizing on this pattern was spot on and the drape of this viscose was better suited than the ponte I used previously. Its a sexy little number and I do feel like roaring when I am wearing it :-). The collar band that goes over the shoulders is quite snug and tends to roll up as seen in the pictures so its not as wide as shown on the pattern envelope. I think for the more endowed in the bust area that a toile is definitely recommended if you are thinking of making this pattern. Pictures-

Simplicity S8045
Simplicity S8045

Here is my video review of the two dresses:

The Burdastyle dress was my planned February make for #burdachallenge as well ūüôā

Thanks so much for stopping by! Until next time – Happy Sewing!!!!

Peace and love,

Hila

SWAP2017 Pt 5: Ansterick Holsten Sweater and an Experiment in pre washing yarn

Last year I was working full steam on a SWAP2017 wardrobe. You can read some of the previous SWAP2017 posts here <link here>:

For one of my uppers РI opted for a  knitted item. The inspiration was based on a Bella Freud 1970 Jumper . This jumper retails at £300.

The pattern I used was the Holsten jumper by Anstrick. 

Once I had selected the pattern the next challenge was finding the bright red yarn colour. Someone on Ravelry recommended Cascade Ultra Pima Cotton DK yarn. The yarn has a lovely lustre to it and it had a lipstick red shade that looked promising. I ordered several balls of different reds from various brands but this was the one that nailed it. Luckily they also had the black and white of the same yarn.

The next challenge was how to prevent bleeding. From the many posts that I read where people had knitted with red and white or black and white Рthere was a bleeding issue when the garment was washed. After ruminating on the issue for a while I thought that maybe I could try pre-washing the yarn before knitting to reduce any bleeding potential in the same way we prewash fabric for sewing.

Luckily the yarn comes in skeins. My first attempt was a bit of a travesty because I didnt do anything to prevent the yarn from tangling. On my second attempt, I loosely tied the skein at 4 different points so that I could easily reconstitute the skein.

The prewashing process involved filling the sink with hot water and soaking for about an hour, gently wringing the water out and repeating until the water ran clear. For the red this took approximately 4 soakings, the black took 6 soakings to run clear. I also did the white twice because I needed it to have a similar texture to the black and red.

After drying out the skeins I then had to wind them into yarn balls. There were a lot of online tutorials to help. I used a kitchen roll tube and spent several hours balling up the skein. It was tedious but I think it was worth it in the end. 

Dryng the prewashed yarn

Pre washed and un washed side by side
Prewashed on left. Has a ‘fuller’ look and feel. Unwashed on right.

 

I swatched with 3.75, then 3,5 but it was 3,25 that got the correct stitch gauge. I should have done some mods since the pattern calls for fingering 4 ply but my yarn was DK. However, I still do not understand these things so I went on ahead with the proviso that I would be trying it along the way to see what I need to change. On the whole this worked, I think I managed to get away with it :-).

This pattern knits up quite quick since it all stokinette stitch. It was also a great opportunity for me improve my Portuguese knitting skills. I think the fit is quite good. Yarn feels comfy against my skin.

The prewashing seems to have worked. When I washed this there was no bleeding.

And here I am wearing it last year.

The pattern instructions were very clear and well written. I learnt some new techniques like the saddle stitch for the raglan sleeve. It may not be the best but I had a great time knitting this. I’d have liked to do add in a HILA motif on the white section but my skills are not yet there. I am still very happy with this jumper.

Finally, I used just under 5 skeins of red and less than 1 skein each of black and white. The total cost of the yarn was £50.48. Not bad considering the inspiration retails at £300. Win!

Thanks for stopping by my little corner of the internets. Until next time, happy knitting!

Peace and love,

Hila

 

 

 

 

 

 

 

 

Thanks for stopping by this corner of the interwebs.

Peace and love,

Hila

A Different kind of sewing….

I have a little brother who is quite fussy about his clothes. When he finds something he likes he tends to buy upwards of 5 of the same item as he hates shopping and doesn’t like ‘wasting time’ on what to wear. His clothes are all similar colours and shapes therefore interchangeable.

While in Japan, he found a jacket he liked but there was only one in his size. No problem he thought – “my big sister can copy this jacket for me and make 5 more“. Luckily he visited with us at the end of August last year with his jacket and an express desire to go looking for fabrics that he likes. I took him to Fabworks where he spent all of 10 minutes before deciding on a wool suiting in navy blue.

Original jacket sans right sleeve.

 

Now, though I was in the doldrums at the time, even I refused to just copy something and not add a little extra…….something. My philosophy is that if you are going to ask Michaelangelo to paint a ceiling – then LET MICHAELANGELO PAINT A CEILING LIKE THE SISTINE CHAPEL!!! I refuse to spend hours working on something that is just going to look …..bland. That’s¬†not me.

At. All.

So, I stood my ground and insisted that there had to be something different to denote that it was truly a one of a kind. He agreed to look at contrast fabrics for the lapel/facing. This was huge. My brother is not one to change his mind or indeed concede his sartorial choices. He chose the Liberty Tana lawn¬†which reminds me of a Wuthering Heights’esque moorland. Still, it was better than nothing.

Image from Vampires in Wuthering Heights

 

Did I mention this was at the end of August last year?

With all that time I didn’t¬†come back to the project nor think about it until he asked me during a recent Skype session. Feeling bad I set to it this past weekend and copied the jacket using carbon paper and a tracing wheel. It’s not an¬†exact science but between my pattern drafting knowledge and common sense, I made some headway.

A weird¬†thing happened. Duty and honour (and some guilt – ok mostly guilt – that I had made him wait all these months) drove me to start on the project. At some point I started enjoying the process. It felt like the wild west (why am I saying this? I’ve never experienced¬†the wild west nor do I wish to); but as a metaphor, its meant to say that I was excited and curious at how I would do. It’s been a long time since I have felt like that.

When acquiring¬†a new skill set there is joy/exhilaration when you first learn to do new techniques. But, as time goes and you gain more experience¬†that sense of fear/anxiety/exhilaration that keeps you on edge is gone because you get to a point where you know how to do this that or the other. It becomes easier to execute a vision and the high is never is as good as that first high of nailing a fly front or easing a sleeve for example. Which is not necessarily a bad thing in itself…..

But this was new territory for me.

Not only was I making it for someone else who has a very clear expectation of what he wants; I also had no pattern.

Figuring out grainlines, forgetting¬†notches, not adding ease to sleeve cap………so much minutiae of things I forgot to do but I carried on. Lessons learnt. Falling forward.

To frame the time period here:

August 2017 – Assignment given and materials procured

15 March 2018 – Casual enquiry about jacket over Skype

18 March 2018 – Copied jacket, cut fabric and sewed up body

19 March 2018 – Sewed collars and sleeves.

20 March 2018 – Hems, buttonholes and final pressing.

This is the toile. I had no fabric that was similar to this wool suiting to use and since he wants 5 of them I reckon by the time I get to the fifth one, it’ll all be gravy.

I have written this before I send it off to Switzerland tomorrow. He will now have to feedback to me before I embark on the next one. I am at peace and in calm within myself. I tried my best.

Hand on heart tried my best. And thats good enough for me.

Thread chain to anchor facing
Bias bound back seam with vent

 

Even if he doesn’t like it – it doesn’t matter to me any more – it won’t affect my sense of pride and achievement in this. I had tried to express my feeling that I feel now but last night as I read the closing chapters of Bartlett and the Ice Voyage (a great book btw) to my kids Bartlett said the words for me so I will share them…

For a long time he (Bartlett) gazed vacantly at the last two pieces of pale iceberg. If the ice melted, if the melidrop thawed and rotted, then everyone would say that they had failed. But hadn’t they really succeeded? He and Jacques, together with Gozo, and Captain Wrick, and Mordi, and Michael, and all the others who helped along the way, had captured an iceberg, and towed it across thousands of miles of ocean, and preserved a melidrop for weeks. No one had done any of these things before. Did it really matter now if the melidrop reached the Queen?

Thanks for reading this far if you have. Ramblings sometimes take over…sometimes ūüôā

Until next time,, Happy Sewing!

Hila

 

BurdaStyle 01/2018 #107 Leggings #burdachallenge2018

I made these leggings at the beginning of the year and already they have become my go-to for yoga. By the time I got round to taking blog pictures (during the snow days), they had been washed about 5 times already.

In the magazine they are described as ; So practical: To keep these leggings from pulling during a workout, we’ve sewn wide ankle cuffs at the hem. The front waistband has an overlap that is not only comfortable, but stylish, as well. 

Here is the line drawing:

BurdaStyle 01/2018 #107 Leggings

The leg cuffs piqued my interest – I have Reynaud’s Syndrome which means I really feel cold in my feet and hands all the time. I do ashtanga yoga which is a dynamic yoga practice and you are not supposed to have socks on during the practice (for safety reasons as they can slip). So this simple idea of covering some of my foot while the crucial parts that grip on to the mat are left able to do just that, was a tantalising prospect.

Before reviewing them I wanted to see how well they did in situ and I am converted! Though my feet still feel cold, I don’t¬†feel it as acutely as I did before. The leggings performed exceptionally well because of the high waist. There are a lot of forward bends in Ashtanga and low rise leggings constantly need to be pulled back up. But not with these ones. Not once have I felt the creeping chill of an ever lowering waistband. So yeah the verdict is that I LOVE these leggings! Plus the wrap effect band is quite stylish too :-).

BurdaStyle 01/2018 #107 Leggings
BurdaStyle 01/2018 #107 Wrap effect wide waist band

 

I traced my usual Burda 38 and without any alterations at all. The fabric is a jersey that I was given by a friend. It is not a drapey sort of knit but it has more heft than T-Shirt jersey but less than ponte. I used my overlocker for all seams except for the hems on the foot cuffs. The instructions were good on this one. Well done Burda!

This was the first of my January #burdachallenge2018 makes. More coming soon as I race to catch up with all my unblogged makes.

Thanks for stopping by and until next time, Happy Sewing!

Peace and love,

Hila

Links:

BurdaStyle 01/2018 #107 Leggings Pattern

 

 

Pattern Review: DP Studio LE 406A AND B – LONG ASYMMETRIC SKIRT WITH RUFFLE DETAIL

At some time in December last year, I came across a French pattern company on Instagram, DP Studio Fashion. The company ethos is to keep abreast of the latest fashion news to find out about new shapes, volumes and shades. They sell a collection of ready-to-use patterns through their online boutique. I was quite taken by the designs which are so unique and fashion forward. There had so many patterns I wanted to buy, however, I limited myself to two. Here is the first one Рa skirt:

Le 406 is an asymmetric skirt constructed in one piece and has no waistband. The pleats on the right side create volume that is then added to a frill sewn on the true bias creating a front ruffle of full volume and effect.

This is the picture that got me 

Postage and Service

The ordering process was very simple. The online website has pages for english and french language users. Postage was incredibly efficient with the patterns arriving within four days via courier. I was impressed. 

I knew I wanted to make my Christmas outfit using this pattern. Looking through my stash I considered using a denim and very nearly cut it out in denim but at the last minute remembered some tartan fabric that I believed would be more festive.

A note on the pattern – it has one of the largest pattern pieces I have ever worked with! The main front piece has two pieces that have to be taped together. The 2 pieces were not aligning perfectly along the grainline points. I emailed DP Studio Fashion and they responded within a couple of hours saying that this was a problem they were aware of – an error in the printing. I had to tape it along the right side seam and draw in the hem curve. It’s a simple enough thing to do – I don’t know if subsequent batches of the pattern will have this error. This picture shows what I mean – it really is a minor issue.

All the pieces are cut single layer so this pattern requires a lot of fabric. I failed with pattern matching the side seams but I figured it could be a design feature.

As an intermediate level seamstress, I found the instructions clear and well written. There is a picture tutorial available on the website.

Sizing was spot on. I chose the pattern size based on the provided grid and it was perfectly right for me.

I made no changes to the pattern. The waistband is supposed to have a facing but I opted for a Petersham ribbon. Two reasons: it is quicker and more comfortable.

I managed to finish the skirt in the nick of time on Christmas Eve and was able to wear it on Christmas morning paired with my black BurdaStyle roll neck top. A fetching combo that I felt good in.

After a couple of hours I noticed that the side where the flounce is anchored tended to ‘drop’ creating an asymmetric waist look. My assessment is that the waistband needs to be snugger to keep both sides¬†at the same level. But then again it might just be this particular fabric which has a slightly loose weave that seems to let out over time and tightens when washed.

Pictures…..

DP Studio Fashion LE 406A AND B – LONG ASYMMETRIC SKIRT WITH RUFFLE DETAIL

 

Verdict: I love this skirt! I felt edgy when I was wearing it. The swish factor is a definite plus for me. It is a skirt made for striding forward towards…something! My sister in law said it had a Vivienne Westwood punk rock vibe. I was pleased beyond reason with that compliment :-).

I am looking forward to making another version of this skirt. It has much potential when using different fabrics. There are more patterns from DP Studio Fashion that I have my eye on.

Thanks for stopping by and until then, Happy Sewing!

Peace and love,

Hila

SWAP2017 Pt 4: Sewaholic Hollyburn & Granville Shirt

Hi guys!

Last year I was working full steam on a SWAP2017 wardrobe. You can read some of the previous SWAP2017 posts here <link here>:

For my lower, I had the Hollyburn skirt which was to be made in an orange bright orange fabric.

I bought the fabric from Fabworks. It’s a cotton twill weave which also has a geometric¬†pattern. It has spandex it with some (about 3% stretch on the cross grain).

Instead of a facing, I used Petersham ribbon on the waistband. Pink satin bias binding on outside

Sewaholic Granville modified –

The fabric is linen dyed a navy blue using Dylon washing machine dye. This was one of the few successful results from my experiments with dyeing fabric.

The embroidery is from Kate N Rose patterns which I had bought over 3 years ago but hadnt ever bothered with it. It’s called Faraway Garden. When Kate was helping me with inspiration pictures I remembered that I had it somewhere in my digital files. Unfortunately marking dark fabric was challenging. Chalk faded away easily and my Frixion pens were not very easily visible. Patience is not one of my strong virtues and eventually, I reached a point which I just wasn’t¬†bothered. But that’s¬†ok – I realised that I am not yet at the beautiful intricate embroidery stage. That’s¬†okay.

I eliminated the center front button placket. The front is sewn together¬†with a flap for snaps of some sort (am yet¬†to do this). I made it sleeveless by raising the armscye by 1/2″ and narrowing the shoulder by 3/4″. This makes it have a closer fit around the armhole. I bias bound the armholes using same linen fabric.

The idea was to have further embroidery on the front and back but seriously, it’s not my thing. I should have got appliques and in future, this is what I will do. As far as embroidery goes – I need to walk before I can run :-).

I am very happy with these 2 garments, more so because they are 2 of my most beloved patterns that I have made more than a dozen of collectively. Pictures….be warned the orange is really bright :-). Pictures were taken in May 2017.

Sewaholic Patterns Hollyburn Skirt and Granville Shirt

Guess the song from the dance pose ūüôā

 

Thanks for stopping by this corner of the interwebs.

Peace and love,

Hila

BurdaStyle 01/2017 #105 Activewear Edition

I actually made this outfit in January 2017 (Yay for actually sewing a BurdaStyle magazine of the same month!).

Athletic Tank Top 01/2017 #105

Tha fabric for the top is a self wicking¬†knit which has some stretch. The stretch is quite minimal and not like a t-shirt¬†jersey. Unfortunately, I don’t¬†know its exact specifics as it was part of a bundle of fabrics from MinervaCrafts that I had won on IG in 2016. It is very comfortable to wear and supports my bust well.

The top is made up of 8 pieces Рnice seam detail to look at but a pain in the neck to deal with. First of all, when tracing it I forgot to write in the seam numbers that tell you which edge to join where and had to rip out twice and cut more pattern pieces (I was using an overlocker). Eventually, I got my head around it and it worked out nicely.  I even put in a fancy neon green exposed zip. The zip is purely decorative, in my opinion, as I can easily pull this over my head without using the zip. The next time I make it I will omit the zip.

I really like this top because despite all the seam lines it is very comfortable. The upper half is self-lined so no overlock seams rubbing against my skin. Its fussy but well worth it.

 

Athletic Leggings 01/2017 #106B #106B

The fabric for the leggings is deep dark brown ponte roma with a shiny surface. I quite liked the angular seams and the high waist of these sporty leggings. Though fussy to sew up if you are trying to line everything up, I think they are worth the hassle. The pattern actually calls for zips at the ankle side seams. No thanks.

 

For both patterns, I cut the size 38 without any adjustments. I have worn both of these quite a lot over the last year, especially for yoga classes. The leggings are a tad too warm in summer but perfect when the weather is on the cooler side (on account of the ponte).

This outfit was/is a win for me – a great addition to my activewear collection!

Athletic Tank Top BurdaStyle 01/2017 #105

 

Thanks for stopping by and until next time, Happy Sewing!

Peace and love,

Hila

Self Drafted Drop Shoulder Tee Shirt using Metric Pattern Cutting for Womenswear by Winifred Aldrich

I have been trying to do a bit more pattern drafting. Often I just get carried away with the idea that it is far more convenient to just cut into an already drafted pattern and take it from there. However, I have spent quite a lot of money towards books, classes and tools on pattern drafting so I must make more of an effort.

I decided I wanted to make a drop shoulder tee-shirt which was inspired by this Boden top.7e0f851d2c58ed6e353d22412f7a3c11

As it happens I had an easy fit tee-shirt sloper from when I used Metric Pattern Cutting for Womenswear by Winifred Aldrich.51p5v2bnmt0l-_sr6002c315_piwhitestrip2cbottomleft2c02c35_pistarratingfourandhalf2cbottomleft2c3602c-6_sr6002c315_za11320reviews2c4452c2862c4002c4002carial2c122c42c02c02c5_sclzzzz

I drafted the sloper about 2 years ago so I decided to play around with that.

I started off with the basic tee-shirt sloper and I went on to follow the instructions for dropping the shoulder. The instructions don’t give you any further info regarding the sleeve pattern piece so I used my own logic by gently drawing an opposing curve with roughly the same amount taken off. Eventually, I stumbled upon a great post<link here> which explains in great detail the technicalities of the dropped shoulder.

I decided that at this point it would be a good idea to make a toile as I hadn’t made one yet. I used some jersey fabric that had been in my stash since 2014 – I bought it on EBAY during a late night browsing session (I have since managed to break that bad habit).¬†I think it’s a viscose jersey which is very comfortable to wear. I also quite like the Argyl print :-).

blog20photos20march201720418blog20photos20march201720417blog20photos20march201720414

For the neckband I measured around the neckline once I had finished and deducted 30% of the measurement – added my seam allowances and voila – a neckband that snaps perfectly against my body.

My next step with this draft will be to create the yoke pattern pieces and to drop the shoulder a bit further. The next iteration will be colour blocked to see if the proportions work well.

This was a quick refreshing project as I was not having to think about the instructions or whether I may have missed out something – if I can hang on to that feeling it would help me focus on doing more drafting. Do you prefer drafting your own or find it easier to use patterns?

Thanks or stopping by,

Hila

 

SWAP2017: An Over and a Lower

My SWAP has 4 overs which are :

  1. Fitted shirt in shocking pink.
  2. Embroidered fitted top
  3. Knitted red and white jumper
  4. White tie back top
  5. A ‘rogue’ dress

For this post I am looking at the pink fitted shirt and the yellow maxi skirt.

Fitted Shirt

granvilee

Sewaholic Granville and I got back a long way. See here <link>. Its a tried and true patterns that I love.

I had already seen the shocking pink fabric at the Shuttle in Shipley before deciding on the SWAP colours. Once my colours were settled, I was forced to go back to The Shuttle (I want to be clear on this РI did NOT want to go to a fabric shop but in the spirit of SWAP I had to РI was a reluctant  fabric shopper Рthose other fabrics followed me home РI was reluctant but I am so proud of myself for my restraint). Luckily it was still there when I went back and I bought 3 meters of it. Its  a stretch cotton sateen that was interesting to work with.

I cant say its been my best sewing experience ever. I found that the sateen¬†had a strong needle memory and I couldn’t unpick the fabric without creating a visual disturbance. I quickly caught on though and started using wonder clips instead¬†of pins where necessary. I also needed to use a walking foot to prevent it stretching out as I sewed. It also why¬†I opted not to topsticth the button placket.

Because of the stretch nature of the fabric it is very comfortable. Pictures do not do this fabric justice. Its is very bright pink. As in incredibly in your face unapologetic pink. It makes me happy.

Yellow Maxi Skirtyellow20maxi20skirt

For the maxi skirt I used the skirt portion of the Anna dress. I love this pattern and have made it several times already. The fabric was hard to come by. I wanted a really bright sunshine yellow. I did something I haven’t done before – ordering loads of swatches. I must say that made me feel very grown up indeed. I eventually found the right colour and weight from an Ebay shop called (apologies in advance to any brexiters reading this) EuroFabrics. Its a very beautiful high quality stretchy crepe with viscose¬†fabric that has a micro texture. It has a bit of give on the cross grain which makes for a very comfortable wear.

I sewed up the skirt but while checking fit I realised that I wanted pockets. I try to add pockets where I can in a way that doesn’t interfere too much with the design lines. Because this skirt is close fitting at the hip, in seam pockets would not have worked. So I decided to draft quasi-patch pockets that attach at the princess seams. I felt like this was the most sympathetic addition of pockets.

I still have the option of cutting out the thigh slit but as yet am undecided. I quite like it as is for now. Initially the plan was to add a narrow waistband but I didnt like after the initial basting – it made it even ¬†more high waisted that I was envisioning. So it was Petersham ribbon to the rescue!!! ¬†The only fly in the ointment , however is that I did think it needed lining but when I wore it for pictures – I could see my panty lines – as I grow older I get less keen on VPLs on my own self. I have since bought some lining to add which is an easy fix. I will only line the upper third of the skirt. The other option is to go commando when in this skirt and……. mmm……..again as I get older I am less keen on the whole going commando thing ūüôā

Pictures…..

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SWAP2017 Granville Shirt and Anna Maxi skirt

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So here we are reader, the first 2 of my 11 SWAP2017 blogged. Whats next? The orange skirt I think….undecided

Thanks so much for stopping my little corner of the interwebs. Until next time,

Happy sewing!

Peace and love,

Hila